Dorie Greenspan shared a recipe for Ispahan sablés in her New York Times column earlier this month, and it reminded me of the first time I tasted anything Ispahan almost exactly a decade ago. It was in Paris where I was spending several weeks taking dance classes and trying to figure out what to do after losing my job. While the flavor combination of rose, raspberry, and lychee is a signature of pastry chef Pierre Hermé (Dorie talks about him here), I first experienced it in the Ladurée salon on the grand Champs Elysée.
I was on a date with this guy, Reuben was his name. It wasn’t our first date, but our second.
For our first, we walked around the Latin Quarter, the Left Bank neighborhood where I had swapped apartments, checking out the Vélib’ bikes that sat dormant, ready for their grand opening the following week. We perched on the still stationary bikes and pretended to ride around town. We sat next to statues, emulating their poses. We got crêpes and I was schooled on the best way to order them: citron sucrée – a squeeze of lemon and a sprinkling of confectioners’ sugar.
For our second date, Reuben wanted to share a classic Right Bank experience. We sat in a dim corner on a robin’s egg blue tapestry-covered banquette, voyeurs to the choreography of waiters, the bustling of the tourist-filled dining room in the Ladurée salon I mentioned earlier. Some food and a few glasses of wine in, it was time for dessert. I had never tried a macaron, so Reuben ordered what he said was the best one in the city. (Parisians are opinionated about their food, non?) It arrived: two bright pink meringues sandwiching rose cream, lychee bits, and the most perfect specimens of raspberries. This was a knife and fork kind of macaron, more cake than cookie and almost too pretty to dive into. Almost. The contrast of textures, the complement of flavors was quite possibly magical.
Reuben and I went out one more time, but then I moved on to Nice for the rest of the summer. His parting words: “I’ll always remember you as the girl who was lost in Paris.”
When I visited Paris this past June, one of my first stops was for an Ispahan macaron. It was a mini-one in a random patisserie with mere hints of rose and raspberry, mediocre at best, but the cookie is how I orient myself back to the city and it’s always on my day-one list.
My prior visit two years ago was a brief one, but I still managed to grab an Ispahan or two. I spent most of the time with Laurence and Gerald, sticking close to my Airbnb and their 17e arrondissement apartment. I was there to see them and to remind myself that I could visit the city of romance alone and do just fine.
And then this time, this summer, I made Paris my own again and could almost imagine myself living there. I stayed in Laurence and Gerald’s second bedroom in their picture-perfect Parisian apartment with floor to ceiling windows that let in dramatic shadows and sunlight, rooftop views, a strong cross breeze to cool everything down without air conditioning, shallow balconies, stairs spiraling an elevator whose door you have to push open, wrought iron everywhere, one (and only one) friendly neighbor, and one very cranky lobby attendant.
After snacking on that first mac of the trip, I made myself right at home in the city, hopping on the métro like a champ (indeed, google maps does help quite a bit), exploring parts of Paris that I know (le Marais) and those that I don’t (Montmartre, les Halles, the 11e). I joined a few food tours to get the lay of the land because the last time I really spent much time there, I wasn’t as into la cuisine as I am now.
And yet, we didn’t eat out in many of the newer hot spots. I made it to Miznon and Fish La Boissonnerie and a neighborhood gem for couscous, but otherwise we ate at home. Gerald likes to cook – he owned a Lebanese restaurant in Strasbourg back in the day – so he treated Lau and me to dinner most nights. He even cleaned up – she’s got herself a winner, folks. Over the weekend, I popped to the outdoor market and overfilled my bag with peak fruits, croissants, and an obscene number of pastries, and we had a serious brunch before heading out to Clignancourt flea market – one of les puces – where I picked up some art and silverware and we mostly wandered through a maze of antique furniture.
It felt good. It felt comfortable. It felt normal. I felt like I could return without fanfare, without worry, without expectations. It was no longer a big deal.
Pierre Hermé’s Ispahan Sablés
This recipe comes straight from Dorie Greenspan’s in the New York Times, and I added a few small instructions based on my experience. The dough is really easy to work with. I’ve made roll and slice cookies in the past (another Dorie recipe) and ended up with holes in the middle from trapped air, but these cookies roll between your hands and the counter into perfectly solid cylinders. I wrapped the logs well and have frozen two of them when the need for a little sweetness strikes.
There are a few ingredients that may require a special trip to the store (or Amazon). Sanding sugar is coarser than what you normally use, with crystals slightly smaller than sugar in the raw; it’s white and a little bit shimmery and often comes dyed. I dyed mine red with McCormick. Rose extract is much more intense than rose water and you need it here because sablés can’t take much moisture or they’ll lose their texture. I used Star Kay White brand – it’s pricey but you can use it in baking where you might normally use rose water, but a much, much smaller quantity. I used Whole Foods 365 freeze-dried raspberries, Dorie uses Trader Joe’s.
Makes about 5 dozen cookies
For the sugar:
– ¼ C (60 grams) sanding sugar
– ¼ t pure rose extract
– Red liquid food coloring
For the sablés:
– ½ C (10 grams) freeze-dried raspberries
– 1½ C (204 grams) all-purpose flour
– 11 T (155 grams) unsalted butter, at room temperature
– ⅓ C (67 grams) sugar
– ½ t pure rose extract
– ¼ t fleur de sel
Color. Put the sanding sugar, extract, and 2 drops of coloring in a small zipper-lock plastic bag, seal the bag and shake until the color is even. Add more color if necessary to get to bright pink.
Crush. Put the raspberries between sheets of wax paper or in a zip-top bag, and crush them with a rolling pin or the bottom of a skillet. Don’t expect perfection — it’s fine to have mostly powder and a few small nuggets. Whisk the raspberries into the flour.
Beat. Working with a mixer, beat the butter at medium speed until it’s soft and creamy, but not airy, about 2 minutes. Add the sugar, extract, and fleur de sel, and beat 3 minutes more. Turn the mixer off, scrape down the bowl, add the flour mixture all at once and pulse the mixer on and off to begin incorporating the dry ingredients. Mix on low speed until the dough forms soft curds and then starts to clean the sides of the bowl (i.e., it wraps around the paddle and no longer sticks to the bowl). Give it a few last turns with a spatula, then scrape it out onto the counter.
Roll. Divide the dough into 4 pieces, and roll each into an 8-inch-long log. If you don’t have a ruler, use the short edge of a piece of paper (8.5 X 11 inches) as a guide.
Coat. Spread the sugar out on a piece of wax paper, and roll the logs in the sugar until they’re completely coated. Wrap each log in plastic wrap, and refrigerate for at least 1 hour, or up to 3 days.
Prep. When you’re ready to bake, position the racks to divide the oven into thirds, and preheat it to 325ºF. Line 2 baking sheets with parchment paper.
Slice. Unwrap the logs, trim the ends if they’re ragged and cut the logs into ½-inch-thick rounds. Place them on the baking sheets, leaving about 2 inches between each round.
Bake. Bake the cookies for 19 to 21 minutes, rotating the sheets top to bottom and front to back after 10 minutes, or until the cookies are firm around the edges and golden brown on the bottom; the tops will remain pale. Rest the sablés for 2 minutes, then transfer to cooling racks. Serve – or pack into a container – when the cookies come to room temperature.
I love these! I bought them at a farmers market in Portland OR, so dainty and delicious
I miss Paris now…
Oh and yes, anything from Pierre Herme is divine.